The Forgotten Lie

The Forgotten Lie

This blog was to focus on answering questions, but viewing a criminal trial sent me in another direction. What follows is a story of a crime perpetrated on my parents. I call it The Forgotten lie.

In the fifties most middle class families only had one car, we had two. Our family car was a 1956 indestructible, four-door, yellow automatic with power assisted steering. It was the car Dad used for my driving lessons.

His teaching was brief. With each mile traversed he became more nervous and his instructions more panicked. 

            When we spied someone standing on a sidewalk his voiced warned, “Watch out                   you never know when they may want to end it all;

            When we drove on country roads, “Get over, there may be a tractor lurking ahead;”

            When we traversed the many Wilmington estates,  “For God’s sake don’t kill any of             Mr. duPont’s cows.” Dad's foot never left his imaginary brake.

Soon Mom took over. She had been driving her own car since 1927; the year Dad turned sixteen. After a few lessons, Mom dubbed me the family driver. I chauffeured her shopping trips because I was adept at parallel parking. When Wilmington got its first parking garage, I thrilled to accelerate up the curved ramps on our weekly trips to the library. My high school years were carefree until I broke the one rule our family lived by, honesty. My folks believed that a lie was the intent to deceive and avoidance of honesty was a sin.  

I was working that summer in a corporate mail room, earning $1.00 an hour. One day, a co-worker asked if I could give him a lift to the auto repair shop. Sure. We chatted and laughed all the way to the parking lot where he stopped and stared. His jaw hung open in absolute awe as he moved toward the bright yellow Buick. He caressed the hood ornament, focused hopeful eyes on me and said, “I’ve always wanted to drive a Buick.” Well his wish was easy to grant. Why not? It didn’t cost anything to give him a half-hour of happiness. Off we went.

Bob was one of those friendly salesman type guys, who always talks while looking at the person next to him. One second he was immersed in a funny story and suddenly I was looking at an indestructible Buick hood resting in my lap. 

I ordered, “Get out of the car” and took his place in the driver's seat.His face showed fear of losing his license, "I can't let you do that." My face showed fear at losing my mother's trust. "I'm dead if they ever find out. Believe me."

Soon everyone arrived. the cops, my folks, the neighbors and of course, my older brother with a camera lens glued to his horned rimmed glasses. He insisted on recording the event.

My parents never admonished or grounded me. They were happy I was safe and continued to loan me the car as needed. Dad called the insurance company and lowered the deductible from $250.00 to $50.00. This carefree teen knew nothing about insurance, but she did know never to let anyone know the truth. 

For the next twenty-five years life was idyllic. I graduated from Syracuse, lived in Japan, got a teaching job in New Hampshire, married, bought and restored two homes, and at age forty-one had a child. Over the years I forgot about my crashing lie until the day I dropped my guard..

I was forty-one when my husband, John called to tell me he had been in an accident. I hung up the phone, turned to my mother and said, “That’s something I never want to experience.” 

My Mother, with an eighty-two year-old memory like an elephant said, “Remember the Buick?”It was time to relieve my conscience. “Weeelll, I guess now I can tell you the truth about that event.” She looked confused.  “I wasn’t driving, Bob was.” She  blurted out, “ I’ll never trust you again” and walked from the room.

It was a mom-daughter moment. She blamed herself for my lapse of honesty.  I spent the next seven years as the caregiver/companion, who kept her going. It was worth it because when she said her final Sayonara, I had her both her trust and her respect. 

Hell's Kitchen 1978

Teachers intrigue their students. Gossip about their personal lives infiltrates young imaginations. This phenomenon begins in Kindergarten and continues well into college. Unlike other faculty in our department, my self-esteem was  not heightened by bragging about accomplishments. Only when specific questions were asked did I use stories as a way of imparting wisdom. 

This is a story about surviving by your instincts.

Hell's Kitchen 1978

In 1978, predators, peep shows, prostitutes and X rated films were the norm for the crime-ridden area known as Hell’s kitchen. I was a thirty-six year old, blonde, Twiggy look alike, assistant professor, paying $75.00 a month for my 43^rd Street rent controlled, fifth floor walk-up between Ninth and Tenth Avenues. There were three rooms, one of which was a closet for the toilet-only bathroom. The sink stood in the kitchen, next to the metal-topped, claw-foot bathtub, which doubled as a table.The living room looked onto the often over-flowing garbage cans and strewn pizza boxes on 43rd street. It was the decade when there were more characters on the streets of New York than on the stages of Broadway.

Prior to Disney’s arrival in NY, Hell’s Kitchen was a considered a violent place for a woman alone, but I walked the streets with cautious confidence because my New York raised, Irish Catholic, worse-case-scenario father had taught his only daughter the rules of survival:

            Always be sure and walk down the wider avenues.

            Avoid the narrow dimly lit side streets.

            Never walk too close to a building.

            If anyone follows you, cross the street., you can always cross back.

            Walk facing traffic so you can see the dangers that lurk ahead.

            When in doubt, follow your instincts.

Day and night, I avoided the Port Authority area replete with 42^nd Street drug dealers murmuring, “Loose joints? Loose joints?” Initially, I gave these lost souls loose change because I thought they needed money for a medical procedure. That was until a street savvy actor-friend set me straight. I learned a lot on the streets of New York especially to follow my father's advice.

One February night, I left the St. James Theatre on 44^th Street humming the show’s title song, On the Twentieth Century, to keep me warm. I always found comfort in the combination of words and music. I walked from the balcony into a raging blizzard.  I raised my jacket hood, focused on the snow covered sidewalk and headed for Broadway, a safer route than hooker-ridden Eighth Avenue. It was 11:30 pm and Broadway was empty. No cars, no cabs, no people!

I slid my way to the usually traffic filled 42^nd Street. It too, was empty except for a large mass moving toward me. I analyzed. Was it safer to skate across the wide street or to continue walking with courteous confidence and NO eye contact? I kept going. The screen of dense snow parted to reveal the mass it was a stereotypical pimp from central casting eying me.  He wore a white fur coat, matching Stetson hat, and wielded a white walking stick.

He surveyed my blonde hair, which peeked through the hood of my snow covered short parka. He scanned the jeans that clung to my thin body and called out in a loud voice “Hi ya baby!”

My nervous antennae began to emerge, but I ignored him and kept walking at the same pace, in order not to alert him to my rising fear. He turned and walked beside me, “Honey, you look lonely.”

He was close enough to seize me. I tried to remain calm and kept moving. He said in a deeper voice, “Hey, baby! Do you need a place to spend the night?”

I began to fall at the thought but grabbed a nearby church railing to steady myself. The ridiculousness of the situation drove me into a paralytic fit of laughter. I looked at him and laughed even harder, never thinking of the possible consequences. He gaped for a moment and then his mouth opened and his enormous white teeth grew into a large smile as he joined in the laughter. It was a New York moment! The two of us standing during a New York blizzard bent over with laughter and pointing at each other. I finally recovered enough to wave goodbye and headed home I thanked good old dad. for giving me  his final piece of advise, “Follow your instincts." 

Opening Doors

Opening Doors

Since I’m in a university “frame of mind,” I’ll share my father’s rationale for success that I passed on to my students. This wisdom stood me in good stead as I rushed along the streets of NY in the 60’s and 70’s. It allowed me to undertake, with confidence, risky theatrical endeavors (i.e. developing an English speaking theatre in Tokyo) . It gave me the audacity to begin or walk-away from relationships, and often I race toward situations others might be too cautious or thoughtful to undertake.  The advice? “Follow your instincts.”

People are always interested in how one makes choices. The pivotal moments in my life were as a result of following my instincts. I’ll make it brief.

In the summer of 1968, with an MFA in hand, I was contemplating two job offers: one paid $8,000 as a tenure-track teacher at the University of New Hampshire, the other paid $13,000 as a director of USO shows in Korea. The $13,000 USO directorship came with room, board, PX privileges and all the men required for South Pacific. It was a no brainer. I shook hands with the USO director in San Francisco, “I’ll let you know early tomorrow.” I opened the door and began to move from the room, exuberance in my step. I turned to close the door and hesitated

“I have one final question.” He seemed surprised.

“Are uniforms required?”

“Absolutely, otherwise you might be mistaken for a bar girl.”

            I didn’t react, he blushed.

I imagined myself in blue or white, like a Nellie Forbush entertaining the troops. “Blue?”

             

He shook his head. “Khaki.” 

My eyes widened “K-H-AAAKI!!!!?? 

My career decision was based on a piece of fabric.

I followed my instincts and took the job at UNH.  My world then, as now, is immersed in musical comedies, happy endings and ever changing kaleidoscopes of color.

This blog will consist of short stories geared to providing insight about:

            Childhood memories from the decades of the 40’s and 50’s;

            Life and travels with my mother in the 60’s;

            Marriage and teaching in the 70’s;

            Balancing life with a newborn at age 40 and aging parents in the 80’s and 90’s.

There will also be advice on starting your own business, writing a recommend, auditioning, choosing a college, achieving academic success as a female in a male dominated world, and the varied experiences that retirement offers. The posts may not fall in order because of my ADHD brain that rapidly races from one thought to another. Still, the beauty of a blog is that the reader can put them in any order and read or delete. It’s empowering, so enjoy the journey and feel free to ask questions. I’ll try to provide answers that aren’t too harsh, but my reputation is of one who is brutally honest. So, if you want the answers, as I see them, please ask.

My Stong Woman Number--What's in a name?

Noel Battles?!! It’s a translation of my maiden (and often) professional name, Carol Lucha. Carol and Noel conjure an image of happy songs. Lucha is Spanish for struggle or battle. The first and last names reflect my contrasting personality and served me well throughout my formative years. My parents raised me with the belief that life consists of battles waiting to be won, and at a young age I learned to savor the win by relishing in the humor of every situation. I took exceptional joy in putting down arrogant bullies with very large egos. One such event occurred in my mid-forties, shortly before my bid for the coveted academic title of full professor.

The occasion arose when the university vice president asked me to produce and direct a musical for Women’s History Month. He wanted it produced in the large 700-seat campus theatre and insisted that it focus on women, both as performers and audience members. I’m Getting My Act Together and Taking it On The Road, an off Broadway 1978 hit that ran for 1,165 performance and made a statement about women and their relationships with men was the perfect choice. The small cast show was dramatically powerful, the music energetic, and the lyrics and dialogue thought provoking. The date was set, the royalties paid and rehearsals began. All seemed well, until the day the posters went up. That happened to be the day of the weekly faculty meeting and the day I changed my name.

The rather boring meeting was drawing to a conclusion when the department chair began a lengthy diatribe outlining his belief that I was undermining the department for directing a show without gaining the permission of the department before agreeing to misrepresent the faculty.

My confusion was apparent as I tried to ascertain his problem.

Five minutes later everything fell into place. “You mean you don’t think I have the right to do this project because it will reflect badly on the department because it may look like the theatre department produced it?

“Yes, the performance is in the Johnson Theatre.”

I responded quickly, “But it doesn’t say Department of Theatre, it only mentions my name as director.”

“Exactly. Your name is listed as director.”

“Your telling me that I can’t direct anything not of your choosing? Some may consider that a violation of a academic freedom.”

Sudden backtracking from the red-faced chair. “No, you can direct wherever you want, just not in the Johnson Theatre because everyone will see your name on the poster and think it is our production.

“So your main problem is my name appearing on the poster?”

Relief sprang into his flaccid, flabby face. “Yes, if your name appears, everyone will think it is under our auspices.”

I felt myself smile as my blue eyes narrowed in delight. I simpered like Scarlet O’Hara on the terrace at Tara. “Oooh, I understand now what your problem is. Don’t worry about a thing. I’ll fix everything.”

The bell rang. Meeting over. I meandered over to the Women’s Studies office to ask that new posters be redesigned, printed and disseminated. After hearing my rationale, it was agreed and I left humming “I’m doing my strong woman number…” one of my favorite songs in the show.

I explained the need for secrecy among the female student cast and we entered the fray. The new posters papered the campus. Noel Battles was listed as the director. The name was displayed in prominent red letters.

It was amusing to hear the various faculty comments.

“The new posters are eye catching.”

“They sure are.”

“Should boost ticket sales.”

“I certainly hope so.”

“I see there is a new director.”

No comment, just an impish grin.

“Is it anyone I may know.”

“I respect her work as much as I do my own. She is an excellent director.”

“When will we meet her?”

“When you come to the show.”

And so on. Over the next two weeks the cast, crew and I were united in our anticipation of the clever remarks we might make to avert the next query about Noel Battles. It was delightful. It was delicious. The songs in the show took on new meaning as we bonded against that “old boy network.”

At last. It was the day of the opening and of the weekly faculty meeting. Tension oozed from the chair as the meeting commenced. He asked a few pointed questions, “Is everyone ready for opening?”

“Yes.”

“When will you introduce me to the director?”

I decided it was time to turn the knife a little. “I’m certain you have already met.”

“I don’t know anyone named Noel Battles.”

The frown on my face was apparent, the smile on my face was growing larger and my mind was whirling at the thrill of winning the game.

“Oooh (Scarlet O’Hara and the southern accent emerged), I’m sure you do, but you’ll find out tonight. You are coming aren’t you?”

His face grew red. He couldn’t contain himself. He reminded me of a balloon ready to pop. The sweet side of my nature grew concerned that he might have a heart attack.

The bell rang. He yelled, “Damn it. Who the hell is Noel Battles?”

I answered his question quietly, “Me.” I collected my things, bowed and explained. “You had a problem because Carol Lucha’s name was on the poster. I solved your problem by removing the name from the poster but not the person from the production.”

I left a very quiet room humming “Who’s got the last laugh now?”

And that is just one incident in my story. Next time I’ll tell you topics that may be covered in the ensuing postings. Some you may skip and others may be of interest. They are all topical, most have a touch of humor and all are reflections of the girl who was raised by a mother eight years OLDER than her husband, my father. But the Mom/Carol and Dad/Carol stories I’ll save for later blogs.

created by humor, tenacity, the belief that I made a difference to my students

Motherhood March 2014

Mother's Day 2014.
The only birth records naming me as a mother date from 1982, a few weeks shy of my forty-first birthday, but this this e-mail gives credence to the belief of many that I became a mother in 1969 at the age of twenty-seven and continued to collect and raise children, on an annual basis, for forty more years.

Dear Carol,
    In reality, of course  we are more like the best of friends - but I wanted to also wish you a Happy Mother's Day  . . .there are many different aspects to being a mother - but when it comes to your relationship with your students, you have truly mothered us!  I have never had a more loving, supportive, nurturing and guiding mentor in my life - and for that you have my love and my infinite appreciation and gratitude.  

Pet

Thus, my daughter's siblings number well into the hundreds, the number of close friends listed on my Facebook page.

This blog is dedicated and written to my many "children." Those first students arrived on the college campus during the academic year of Kent State, the event that shook them into awareness and activism. My eclectic family survived the defeat in Vietnam, learned to distrust our nation's leaders during Watergate, saw the end of The Berlin Wall, supported each other throughout 9/11, and realized, as we  shared funeral grief and sewed tributary AIDS quilt squares, that race and religion were not the only causes of prejudice.

Now we stay in touch via Instagram, Twitter, Facebook, the Internet, email and sometimes we actually pick up the phone and have a heart felt talk.

This blog is attributed to "Noel Battles" a name I was forced to create to keep most of the men on our faculty at peace with the fact that I always did my "strong woman number" with humor and as a result most often "succeeded...without really trying."

Stay tuned for Blog 2- the creation of Noel Battles.